Movies

This early quick-fire cut-up animation melds machine gunfire with scratched film. The soundtrack was made by Keen in 2007 with a wasp synthesizer and...

In Cineblatz, the viewer is subjected to a high-impact barrage of evolving images, at once comic and terrifying. Glossy magazines are cut up and...

This bright animation cuts from interiors to exteriors and pushes pictures of Keen at different ages up against violent actions and symbols of...

Omozap is a gun-wielding wildman and Keen anti-superhero akin to The Punisher. Compulsive animation and action look to the Artwar films and videos to...

Made between 1970 and 1975, Jeff Keen's films always contain internal layers and films within films. The twenty-four films here include hand-painted...

Stealth bombers hover over crashing waves and ruined land. Using found footage and several thick layers of video, Jeff Keen presents and visceral...

Jeff Keen had a chance encounter with a collection of old 78 speed records at a Brighton flea market and used it as an opportunity to create a...

The Artwar face peers through painted celluloid and a barrage of explosions and film noise.

'Afterblatz 2' was shot on video and screened alongside 'Omozap Terribelis'. It uses the toy 'My First Sony' to present a number of...

Includes: Stolen Moments (1972), Lone Star (1975), Godzilla – Last of the Creatures (1976) and Rosa Canina (1970s).

Breakout is an unfinished film and, unusually for Keen, contains a loose narrative. It presents the story of a young man hounded by a large pink...

Experimental animation created using a video pen.

Jeff Keen dons paper masks and his knitted Artwar jacket, after avoiding bombs and pacing a moonlike landscape.

Rayday Film was shown projected in several 100-foot length parts from multiple projectors. The friends and family who featured in costume and...

The Pink Auto, screened using two projectors, is one of the very first examples of expanded cinema. Jeff Keen walks as a zombie and carry his dead...

One of Jeff Keen's diary films. Keen made many diary films with his daughter, wife and friends in the late 60s and 70s. These were edited in camera...

A documentation of Jeff Keen painting, using montage to turn a mild-mannered English painter into a Wild West gunslinger.

Named after the horror film White Zombie and the rom-com Red Dust (both 1932), White Dust follows the friends and family of Keen while they explore...

The Artwar loops were made for non-cinematic exhibition and go from harsh film surface noise to colour bars and other video effects filmed from the...

This compilation work uses Keen's drawing computer, screams and gunfire and proclaims ' enemy territory is outside the frame. Includes the titles...